I’ve been trying to catch up on questions people sent in about writing and publishing. For example, one writer wants to know, “Do I need both a website AND a blog? Or will just a website do?”

That’s like asking, “Do I need to wear black to the meeting, or is color okay?” Depends on the meeting. For an author, it depends on your book and your audience. If you’re an author covering a current topic, you probably need to have a blog where you’re sharing cutting-edge information. If you’re a novelist who just wants readers to get to know you, maybe a basic website is enough. Think of the purpose of each — a site is to introduce you and share basic information; a blog is to interact with others. So there’s a lesson here: The growth of the web offers you the chance to market your self and your book without having to rely on the old notions of “platform” — you don’t have to have a syndicated radio show, host a television talk show, or have a huge speaking schedule. Relying on social media can help you build a platform by creating a big network of online friends.

I’d love to hear from some authors on this topic… Do you have a blog as well as a website? Which has proven most helpful to you in promoting your books?

Another author wrote this: “Is it important for an author to be involved in Facebook and Twitter? I HATE Twitter!

Yeah, I know what you mean. I’ve rolled my eyes too many time at tweets from people telling me “We had fish for dinner!” and “Petey got a new haircut.” What you’re trying to do with social media is to expand your network of friends, so you want your interactions to be informative, interesting, and, probably, thought-provoking. But let’s face it, we talk with friends about dinners and

A writer got in touch and asked, “Since it seems like anyone can get a book published today through self-publishers, how do I make sure my book gets the needed exposure?”

As I’ve noted several times on this blog, the key principle for anybody doing marketing of their own book is simple: Figure out where your potential readers are going, then go stand in front of them. If you’re doing a book on lowering cholesterol, research to find out what websites people with high cholesterol are visiting, what blogs they’re reading, what magazines and e-zines they’re checking out, what the most popular sites for information sharing are. That’s the first step. The second is to get yourself involved with those venues. That will get you started on marketing. (And be sure to read Amanda’s Thursday blog posts, which are filled with good, practical ideas to help you move forward in your marketing abilities.) 

Now you have the tools you need to create a plan. You’ve got a list of the places people who are interested in your topic are going online, and you’ve got a list of ways you can try and get involved in those sites (by writing articles, doing reviews, creating an interview, offering a chapter of your book, etc). The next step is to start the hard work of getting your words out there.

On a related note, someone wrote these words: “You have frequently told authors to find out where the potential readers are, then go get in front of them. How can an author find the target audience for his book?”

Research, my friend. It will take time, but start checking out key words and topics. Find other books and sites that cover similar material and check them out. Start doing reviews on Amazon and GoodReads. Get involved with Pinterest and Flickr. Create online bookmarks. Join Facebook and Twitter. Begin researching your topic and you’ll

Okay, so I have a new book releasing. My longtime friend, editor, and longsuffering co-worker Marie Prys and I were interested in the spiritual lives of our US Presidents. I suppose prayers have been uttered in the oval office since before that uniquely-named place existed. Many of those words were captured, and some still resonate today. Mostly they prayed for wisdom as they served the country, sometimes for thanksgiving or appeals for justice. We did our research, included some biographical data on the men who filled the role of president, tried to keep out all the partisan bickering, and just made an attempt to introduce readers to a different side of the presidents. This is an ebook (we originally did a print version about ten years ago, but went through and updated everything), and it’s only $2.99 on Amazon, B&N.com, the iBookstore, and Kobo. Give it a read and let me know what you think. Thanks!

-Chip MacGregor

Amanda Luedeke is a literary agent with MacGregor Literary. Every Thursday, she posts about growing your author platform. You can follow her on Twitter @amandaluedeke or join her Facebook group to stay current with her wheelings and dealings as an agent. Her book on author marketing, The Extroverted Writer, releases March 15.

In the months leading up to a book release, I oftentimes find authors doing one of two things. (1) They’re sitting at home, waiting for their edits to come in or waiting to see the cover art or waiting for the ARCs. Or (2) they’re panicking, because they know they should be doing SOMETHING. They just don’t know what.

So at the request of one of our wonderful readers, here’s a snapshot of what you should be doing as you approach your book’s release. Remember! This isn’t set in stone, and because each marketing plan is different, there needs to be lots of flex room. Also, things are bound to happen to put you off course. But don’t worry about it. Stay flexible. Stay committed, and you’ll be fine.

BOOK RELEASE TIMELINE (FOR PRINT BOOKS)

6-8 months before release: Write up your marketing plan and compare it to that of your publisher. You want the two plans to build off one another as opposed to going in opposite or duplicate directions. For example, you may have plans to put a media kit together only to find out that your publisher will be doing that as well. In that case, you could simply ask them to send you 25 kits or so.

6 months before release: Begin gathering your info. Your marketing plan may include hitting up blogs, speaking at schools or businesses, launching a new website, asking for reviewers, and more. Now is the time to begin research on those things, which can include Googling reader blogs, compiling a list of potential speaking opportunities, talking with

Okay, so I have a new book releasing. My longtime friend, editor, and longsuffering co-worker Marie Prys and I were interested in the spiritual lives of our US Presidents. I suppose prayers have been uttered in the oval office since before that uniquely-named place existed. Many of those words were captured, and some still resonate today. Mostly they prayed for wisdom as they served the country, sometimes for thanksgiving or appeals for justice. We did our research, included some biographical data on the men who filled the role of president, tried to keep out all the partisan bickering, and just made an attempt to introduce readers to a different side of the presidents. This is an ebook (we originally did a print version about ten years ago, but went through and updated everything), and it’s only $2.99 on Amazon, B&N.com, the iBookstore, and Kobo. Give it a read and let me know what you think. Thanks!

-Chip MacGregor

Someone wrote to ask, “What is the most important thing I need to know about marketing my book?”

To me, the most important thing for you to grasp as an author is that you are responsible for marketing your book. Not the publicist. Not the marketing manager. Not even the publishing house. YOU.

Think of it this way: Who has the most at stake with this book, you or the publisher? (You do.) Who is more passionate about it, you or the publisher? (You are.) Who knows the message best, you or the publisher? (You.) I think an author should work with his or her publisher’s marketing department as much as possible. Make yourself available. Say “yes” to everything they ask. Express appreciation every time they do something that helps market your book. But then go do everything as though it all depended on you, because it does. Whatever the publicist does for you is gravy. YOU are responsible for marketing your own book. Don’t leave it to some young college grad who has 17 other projects to market. 

Someone else asked, “Since it seems like anyone can get a book published today through self-publishers, how do I make sure my book gets the needed exposure?”

I’m one of those who thinks that many self-published books don’t really seem as if they are really “published.” They post their book on Amazon, then sit and watch it not sell. And most people who actually self-publish (that is, pay to have an ink-and-paper book, rather than just an ebook) lose money because they don’t know how to market and sell their own book. So if you want to really sell some copies, whether you are self-pubbed or published through a regular royalty-paying publisher, you’ve got to understand basic marketing principles. I suggest authors purchase some basic marketing books (such as a textbook from Philip Kotler and Gary Armstrong, or Frances Brassington and

We’re continuing our “ask an agent anything” series, where I’m trying to offer some short answers to your general publishing questions. If you’ve got a question you’ve always wanted to ask an agent, send it to me or leave it in the “comments” section. One reader wrote to ask, “What is “voice” in writing? “

Voice is the personality of the author, expressed through words on the page. When you write, your word choices, your phrasing and structure, your thinking and themes — they all help establish your personality as a writer. So the way I write is different from the way someone else writes — my personality comes through, and shows how I’m different and unique as a writer. (An example: Stephen King and William Faulkner both like long sentences, psychological implications, semicolons, and the use of the word “and” in their works… but nobody ever picked up a Stephen King novel and mistook it for a William Faulkner novel. Though they share some characteristics, each writer has his own personality, and that comes through on the page.) Of course, not every writing voice is good — just as not every singing voice is good. A great writer has a voice that is appealing and interesting.

Similarly, another person asked, “How does a writer know when he has established a strong voice in his work?” 

It takes time and effort. I’ve always thought a writer recognizes his or her own voice over time, so the more you write, the better you hear yourself in your words. My experience is that, as I write more and more, my personality becomes clear on the page. When we talk, your words don’t sound like mine. Your stories don’t sound like mine. Your personality is unique, and getting that to be clearly expressed on the page will help you define your voice. (So, for example, when I tell my story of being

Amanda Luedeke is a literary agent with MacGregor Literary. Every Thursday, she posts about growing your author platform. You can follow her on Twitter @amandaluedeke or join her Facebook group to stay current with her wheelings and dealings as an agent. Her book on author marketing, The Extroverted Writer, releases March 15.

I usually post marketing and platform-building stuff, but today I’m gonna get all warm and fuzzy on you. Because, well…I think it’s high time for a pep talk.

As an agent, I see lots and lots and LOTS of rejection on behalf of my authors. There are days when the rejections just seem to roll in, and the very relationships that I’d been counting on coming through for me don’t. So then I have to go to the author, explain the rejection, and try to help them through it.

And here’s what I’ve noticed…too many times, authors look to editors and big publishing houses to validate their ability as writers.

So when the rejections come in, it’s so common for authors to begin doubting and questioning and “oh, if I can just fix that one thing…tweak that one chapter…” I’ve seen this happen over and over, and you know what? I’M SICK OF IT.

When you’re on my side of the desk, the picture is much bigger. Yes, there are lots of rejections…sometimes for good reason. But there are also AMAZING books that never get picked up. Blame it on timing, budget constraints, weird personal preferences, or a bad day at the office, but it’s true. There are great novels and book ideas that don’t receive offers. They don’t see that one “yes” that makes all of the rejections fizzle into nothingness. So for me to say that a string of rejections from editors means that there’s something wrong with my author or their writing or their ability would be to say there’s something “wrong”